Poetry

“Remittances,” Meridians: Feminism, Race, Transnationalism 21, no. 1 (2022): 155–57.

“One Good Reason,” American Religion 1, no. 1 (2019): 149–50.

“Bark,” “Bárbara,” “Dolor,” “For the Detainee’s Fiancée,” “The Diviner’s Verse,” and “On the Godson’s Conception,” in Tough Beef & Maiden Baobab for The Immanent Frame: Secularism, Religion, & the Public Sphere as part of its 10th anniversary project, “Is This All There Is?” January 29, 2018.

“Girlhood: In Cantos,” WSQ (Women’s Studies Quarterly) 43, no. 3 & 4 (2015): 137–40, special issue on the 1970s.

“Curator’s Note,” “Lottery,” “Visitation from the Once and Future Pride of Black Arkadelphia,” “Santeros,” and “Chicago Piropo,” Chicana/Latina Studies 20, no. 1 (2020): 160–69.

“Found in Translation,” in Telling Tongues: A Latino/a Anthology on Language Experience, edited by Louis Mendoza and Toni Nelson-Herrera (National City: Calaca Press, 2007), 45.

“Writing My Will” and “The Assumption” in El Coro: A Chorus of Latino and Latina Poetry, edited by Martín Espada, and winner of a Gustavus Myers Outstanding Book Award (Amherst: University of Massachusetts Press, 1997), 110–13.

“Forfeitures,” “Six Eulogies for a Cuban Exile,” and “Writing My Will,” Bilingual Review/La Revista Bilingüe 21, no. 1 (January-April): 76–81.